Nothing or Everything
Nothing or
everything. That’s all I can think about while reading Invisible Cities. Does it represent something or nothing at all?
Does it really hold so many messages about life and/or literature as we think
it holds? I find it ironic, that even though the book might hold all those
messages, they don’t answer anything for certain, but rather leave us with more
questions. “Marco Polo imagined answering (or Kublai Khan imagined his answer)
that the more one was lost in unfamiliar quarters of distant cities, the more
one understood the other cities he had crossed to arrive there…” (Beginning
Section 2). This statement is so ambiguous: it could be giving a message about
literature, or a message about life itself, or both, or simply no message at
all and mocking the reader with the use of the word “imagine.” If there is
really a meaning and Italo Calvino isn’t just fooling the reader with these
apparently deep statements, I would think it’s a meaning rather close to what
he said. If applied to life, it would mean that the more you live new and
unfamiliar circumstances, the more you will understand what led you to that
circumstances. But if it were applied to literature, it´d be saying that the
more you read books like this one itself, the more you will understand the
books that led you to this one and the meaning they had like Slaughter-house Five
by Vonnegut or Macbeth by Shakespeare. Or even so, it could be talking about the book itself: it doesn't matter if we don't understand a city right away, the further we read, the more citiess we get to know, the more we will understand the cities that led us to where we are. Personally, I’d rather stick with the possibility
that it applies to all.
There’s a
section that has rather drawn my attention with possible answers, but has left
me with more doubts than anything else. But doubts aren’t specific, they aren’t
even tangible in our minds. Like the poker saying goes, “put your money where
your mouth is” I must stick with the interpretation I see most fit to what I
decide to interpret. This sections is Cities & Desire, in particular Cities
& Desire 5. The description of the city of Zobeide, which is created from
dreams of men themselves is like a city in the movie Inception (2010). The men
can do whatever they want to the city because they must mold it according to
their individual dreams, and the city ends up being a labyrinth on top of
another, creating a trap for everyone. A trap for the woman they’ve all been
chasing in their dreams. “After the dream, they set out in search of that city;
they never found it. But they found one another; they decided to build a city
like the one in the dream. In laying out the streets, each followed the course
of his pursuit; at the spot where they had lost the fugitive’s trail, they
arranged spaces and walls differently from the dream so she would be unable to
escape.” (Cities & Desire 5). Is this city like our minds? And is the woman
in the dreams and every man in the city like the things we live? It could be.
Just like in our minds we chase an answer, whether it’s in math or music, and
when we fail to find it, just like the men failed to get the woman, we rebuild
what led us to the point to where we got lost and arrange things so that the
mistake will never be made again. Just like men in Zobeide change the place
where they lost the woman in the dream as to not lose her again.
Nothing or
everything. That’s all I can think about while reading Invisible Cities. Does it represent something or nothing at all?
Does it really hold so many messages about life and/or literature as we think
it holds? I find it ironic, that even though the book might hold all those
messages, they don’t answer anything for certain, but rather leave us with more
questions. “Marco Polo imagined answering (or Kublai Khan imagined his answer)
that the more one was lost in unfamiliar quarters of distant cities, the more
one understood the other cities he had crossed to arrive there…” (Beginning
Section 2). This statement is so ambiguous: it could be giving a message about
literature, or a message about life itself, or both, or simply no message at
all and mocking the reader with the use of the word “imagine.” If there is
really a meaning and Italo Calvino isn’t just fooling the reader with these
apparently deep statements, I would think it’s a meaning rather close to what
he said. If applied to life, it would mean that the more you live new and
unfamiliar circumstances, the more you will understand what led you to that
circumstances. But if it were applied to literature, it´d be saying that the
more you read books like this one itself, the more you will understand the
books that led you to this one and the meaning they had like Slaughter-house Five
by Vonnegut or Macbeth by Shakespeare. Or even so, it could be talking about the book itself: it doesn't matter if we don't understand a city right away, the further we read, the more citiess we get to know, the more we will understand the cities that led us to where we are. Personally, I’d rather stick with the possibility
that it applies to all. 
There’s a
section that has rather drawn my attention with possible answers, but has left
me with more doubts than anything else. But doubts aren’t specific, they aren’t
even tangible in our minds. Like the poker saying goes, “put your money where
your mouth is” I must stick with the interpretation I see most fit to what I
decide to interpret. This sections is Cities & Desire, in particular Cities
& Desire 5. The description of the city of Zobeide, which is created from
dreams of men themselves is like a city in the movie Inception (2010). The men
can do whatever they want to the city because they must mold it according to
their individual dreams, and the city ends up being a labyrinth on top of
another, creating a trap for everyone. A trap for the woman they’ve all been
chasing in their dreams. “After the dream, they set out in search of that city;
they never found it. But they found one another; they decided to build a city
like the one in the dream. In laying out the streets, each followed the course
of his pursuit; at the spot where they had lost the fugitive’s trail, they
arranged spaces and walls differently from the dream so she would be unable to
escape.” (Cities & Desire 5). Is this city like our minds? And is the woman
in the dreams and every man in the city like the things we live? It could be.
Just like in our minds we chase an answer, whether it’s in math or music, and
when we fail to find it, just like the men failed to get the woman, we rebuild
what led us to the point to where we got lost and arrange things so that the
mistake will never be made again. Just like men in Zobeide change the place
where they lost the woman in the dream as to not lose her again. 
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